TUES MAY 14
7.30p.m.-9.00p.m.
HAMILTON ROOM, CENTRAL BRACNH
HAMILTON ROOM, CENTRAL BRACNH
HAMILTON PUBLIC LIBRARY
JOHN S PORTER
F SCOTT FITZGERALD AND THE PERFECT SENTENCE
F SCOTT FITZGERALD AND THE PERFECT SENTENCE
Gertrude Stein said that he wrote naturally in sentences.
T.S. Eliot said that The Great Gatsby
was the first advance in fiction since Henry James. Hemingway said Fitzgerald
wrote with the delicacy of the dust on a butterfly’s wing. John Updike said that
the Fitzgerald style was built on a combination of poetry and aperçu.
For Fitzgerald, style was a matter of colour and pattern,
music and mood. There are good sentences in all his books, but the ones in The Great Gatsby bloom like
irrepressible Roses of Sharon on the edge of winter. As the Japanese novelist
Murakami says, “the beauty of Fitzgerald’s fluent, elastic prose lies in his
ability to alter tone, pattern, and rhythm to create infinitesimal shifts in
atmosphere.”
“There was music from my neighbor’s house through the
summer nights. In his blue gardens men and girls came and went like moths among
the whisperings and the champagne and the stars.”
J.S. Porter reads and writes
in Hamilton. His latest book is Lightness and Soul: Musings on Eight Jewish
Writers (Seraphim Editions, 2011).
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